Waiting for Spring
Anchor embroidery floss and valdani pearl cotton on non-evenweave linen
I finished this some time ago, and finally got round to washing and blocking it. Sadly, I could not remove all of the violet iron-on marker. And that after some of it bleached on me before I could complete the stitching. I don’t think I’ll be using the darn thing again. One of these days I’ll have to invest in a light table.
I’m calling it Waiting for Spring, because when I designed it last year it was march and it was still snowing. I think it is kinda symbolic that the bulb i’m expecting to grow is “empty”, not the quite bleak background.
The background is long-armed cross stitch, the soil a mix of diverse structured stitches, the fillings inside the bulb long and short stitch.
Here are links to substancial in-Progress postings:
– The design process
– The finished design and the transfer to fabric
– A closeup of the needlewoven bars in the soil
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So I’m working on my stuff slowly but surely, in between cleaning up the garden and enjoying the fine weather in other ways. The whole thing is going to be more “Sharon-style” than traditional assisi work of course. This Prym iron-on pattern pen fades within a months or so, so I’m trying to finish all the outlines quickly. I’m doing only the dark parts inside the onion in long and short stitch, I plan to use something more textured on the outside.
This I did in the evening, in a room not too well lit.
And this in daylight.
I think the difference does show. I will need better lights. But these also show that I will have to pracrice long and short stitch a lot more. I’m doing it with 3 strands of floss here to match the coarse linen.
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