Category Archives: modern techniques

Blogging? And a Challenge

So obviously, I am blogging again, and I do have the intention to keep it up longer than last year. Yes, this is one of those dreaded “why do I blog?” postings ;-). I do this for me, because it helps to motivate me to do creative stuff, and gives me sort of deadlines for my crafting. I need to have stuff to blog about, after all.

I know it is sort of cheesy to use that sort of motivation, and the I don’t want to stoop so low to do stuff just to blog about. But sometimes, I just need a bit of external motivation. I like to tell myself that I do a good thing along the way because my postings may provide entertainment or even inspiration for others. Like ever during the last years, I have been battling health issues and stress at my day job the last months, and sometimes I forget how good it would do me to create something instead of just sleeping or watching TV through most of my free time.

The thing that inspired me most to stitch during the last years was Sharon Bogon’s TAST challenge, which is on a long break at this point. I have done more for it than I posted during the last year, and I miss it. I have a few stitch tutorials in the pipeline anyway, so I’ll do my own challenge, again, both for you and for me. Of couse, it will not be on tuesdays, I respect Sharon too much for that. It will be stitch sunday. I may post a detailed challenge proposal tomorrow and the first installment next sunday. Basically, I will post a stitch description each sunday and everyone who wants to go along with it can do a blog post about the stitch and comment on my posting to let people know where to find it. What do you think, will there be participants?

Well, I guess it doesn’t matter anyway. I have resumed work on my samplers and other stitching, and writing about it in a somewhat structured way will be no loss of time. It definitely will help me to keep at it.

OK, enough navel gazing for today. And to make sure even this post doesn’t come without eye candy, here is a pice of fabric paper I did last weekend. I haven’t messed with acrylics for too long, it was such fun. it was made from cheap 100% cotton fabric, commercial flower paper, dried moss and turquoise silk chiffon as top layer.

fabric paper


Adventures in Monoprinting (Rose in the Rain making of I)

When I posted my finished piece Rose in the Rain I promised to post a making-of. I know it took too long for the tastes of most readers but here you go. Warning: I’s image-heavy.

When I feel like messing arround with paint there is no better thing than monoprinting with acrylics. I wanted this piece to be kind of intuitive, so that looked like the way to go. Also, you can create additional texture with this technique when you use lot of gel.

For my technique, I cut up a plastic shopping bag and paint on the inside. the acrylics get heaviely mixed with regular glossy gel medium and some water, I used a no name product from a German painting supply house, Boesner. Fluid gel medium is even better, but I want only so many expensive paint bottles arround when I don’t know when I’ll use them.

This is how my pallette looks when mixing the paints, you see I’m using lots of gel:

This is how I apply the mix to the shopping bag. It should be applied rather thickly so that it can form additional texture later.

This is the whole painted plastic surface. it is then put on the paper, GENTLY pressed with hands or foam roller and carefully peeled off.

Well, and this is how the result looks when you press too hard. And yes, this was the big piece of precious paper that later became my rose embroidery.

Of course I didn’t want to throw it out, so I painted over it until it looked acceptable. Looking at the finished thing now, I think this failure was an amazing case of serendipidity.

This is an example for yummy gel texture. You only get this with monoprinting.

Of course, after this I had to try my luck again. I did a small tryout print, and it turned out just as it should. I still haven’t done anything further with this one, maybe I should. But not sure what, it looks so, well, orderly.


Finish !!

Rose in the Rain

Acrylics and stitching with cotton floss on mulbery paper.
Size: 28*40 cm

So i finally managed to finish something, or at least think so. I always find it hard to know where to stop with free embroidery, but I do think I am done on this one. I’m not yet sure if I should present this behind glass or glue it onto a box canvas and seal it. Suggestions? Probably this will be decided when/if I ever get round to having a show.

Stitching on paper was a new experience, but a fun one. I think I’ll be doing this again, but next time I’ll probably glue the paper on muslin for stability or go for proper fabric paper in the first place. It got rather soft from handling by the time I was done. I did take in progress shots, posts about the process will follow.

I designed this and started work last winter, when I had bad neck pain and headaches for months. I think it shows, and I’m not sure I like that. What do you think?


Stich Explorer: Stitching with Gesso and Molding Paste

Wow. doing these two modern samples took me all weekend. They are about postcard sized, give or take half a cm. They were don using gesso, molding paste, acrylic paints, Tyvek (thin acricultural fleece) linen fabric and embroidery threads. That’s it for my grandiose sampler plans, I know I won’t get it done.

Even these two would need a lot more intense handstitching to turn them into something more than courious samples. But it was fun and I learned a lot. For now, I’m calling them done and this month’s challenge fullfilled. Kudos go to Lynda Monk, the techniques came from her book.

rosa-blumen

gras


Coincidences and Stitch Explorer

One day last week, I was so incredibly sick of work, so I decided to leave on time (which I can’t do often these days) and go do something nice for myself. I thought oh well, this book from Lynda Monk, Stitching the Textured Surface, would make a good present for myself. Let’s go see if the quilt shop has it. Indeed they did. When I paid the Lady told me she had put it onto the shelf only 15 mins ago.

This weeks stitch explorer challenge is to use something for embroidery we wouldn’t normally use. I have already stitched on all kinds of weird backgrounds, but never molding paste of all things, so it fits.

Today I started experimenting. I have a good selection of acrylic gels and molding pastes, so I applied them to little scraps of tyvek. I’m planning to colour and distress them and then sew them onto a sampler. I’m not going to be too verbose about the process because it is Lynda’s invention, and I sure don’t want to infringe her moral or legal rights.

The first two pics show all the scraps I did, the last one is a closeup of an especially sandy molding paste.

übersicht1

übersicht2

bims-closeup


November Days

The last few weekends I haven’t been melting something. I thought it was time to finish something instead of just making new backgrounds all the time. It was really cold, so I spend much time indoors, stitching. November always has this slowing down effect on me. If only things at work were as slow, they are definitely not. This project still isn’t finished, but I’m getting there.

The next are peaks at the kind of stuff I was doing. Kantha stitching, seed stitches and couching. Repetitive, but still difficult because the melted background is stiff and brittle.

window-vw

wasser-vw

Closeup on some melted stuff. The weave you see is in fact fine batiste, so it looks really different in real life. This is so good I just couldn’t resist.

molten-plastic

The last fruit of the year.

himbeere-vw


Jet another melting experiment

It’s weekend, and I’ve been at it again. I stitched onto jute scrim using manmade materials, heatgunned it and sandwiched it between more or less translucent fabric, this time lightwight grey lutradur. I’m sorry the pixs are not what they should be, the blue wool is in fact turquoise, and a bit on the greenish side. My scanner hates all shades of cyan, and there wasn’t sufficient daylight for photographs by the time I was done.

I have to say for the first time that I like the sample before the process more than after. Firstly, I had problems with my cheap heat gun, it didn’t get hot enough on the first setting, so I had to use the scond which means 500 °C, and that burned the jute a bit. Also, the grey yarn didn’t melt well. Also, Lutradur doesn’t seem to be the material of joice for such things, not translucent enough and too uneven.

Before heatgunning:
amon-rudh-unheated-vw

After heatgunning; the grey did not turn that yellow, no idea what my scanner is doing there. I liked that scanner much better before I had a digital camera and saw what this one can do in good light.
amon-rudh-heatgunned-vw

after layering; In reality, it looks much more blurred and opaque than this because the scanner will see through the fibers, while in real they will reflect a lot of light blurring everything.

amon-rudh-layered-vw

Tip:
In order to trap such bulky things properly betrween thin fabrics, I put a layer of fusible web on each thin fabric piece, trap the jute in between, then pack it between two sheets of baking paper. Then, I first iron the whole package on a soft cushion, from both sides. That makes the ends stick together well. Then I iron it again on a hard surface to make sure it sticks well to the bulky stuff, again from both sides. Then I let the whole sndwich cool down completely before pulling off the baking paper, because if some fusible web spills through the fabric it will adhere to the baking paper while hot and you may damage your sample when tearing the hot paper away.


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